It’s the 16th of January and I am sitting out
side reading and drinking a glass of red wine (Australian Shiraz). The dog
watches the roadway as he sits to my left. Two flies have been awakened from
their slumber by the unseasonable heat and are buzzing about. The dog and I had
taken a walk through the woods. A man wearing a blue t-shirt jogs with his dog. He has his dog a short leash. Trail Dog moves to get a better sniff. The dog is interested in Trail Dog too but his master doesn’t slow up and hollers at him “keep
in step, keep in step, stop jumping about.” When we walk, Trail Dog is in
charge. Traildog is sitting now in the middle of the yard. Trains on distant
tracks toot and their steel wells rumble over iron rails.
In the long run it hardly seems to matter whether one gets
excited or to what cause one commits one’s existence. It all arrives at the
same goal; everything serves an evolution that is both unfathomable and
inescapable – Robert Musil – The Man Without Qualities, 1956 p784
I’m trying to listen:
All three
of these books
Are
available at CalBooks
To poetry – a reading
By Judith
Goldman at Berkeley
I’m not
there, it’s been archived
I’ve got two buds in my ears:
A catenary
is an arch
The rope so
slack it
Forms
an arch
The intro lasts for fifteen minutes
Poor Judith's only got
Oh so academic
Detailed
explanations
Something
about Benshi
How the Japanese provide commentary
To silent
movies while we
Employed piano players
Employed piano players
Get on with the reading – fuck
These
academics
And the poet turns out to be
An academic
too
Providing
her own lengthy
glosses
Poets should be heard and not seen
Academics should be seen and not heard
Academic
poets….shit!
I rip out these buds
Men do not demand genuine beauty, even in the most modest
doses, they are quite content with the appearance of beauty – H L Mencken – The
Vintage Mencken, 1990 p124
I am having computer withdrawal. I need to take a pill
In time, one is only
what one is; what one has always been. In space, one can be another
person – Susan Sontag – Under the Sign of Saturn, 1980 p 117
One way train
I’m never
coming back
Going the wrong way
Up around
the bend
The current runs away
With the
spoon
At ebb tide
I can’t come back
I’ve been swept up
In this flow
We call time
We call time
A world whose past has become (by definition) obsolete, and
whose present churns out instant antiques, invests custodians, decoders and
collectors – Susan Sontag – Under the Sign of Saturn, 1980 p120
He was not exactly an ugly man. He wore a denim jacket over
a green and beige checked flannel shirt. He had recently had his hair cut. He
had shaved this morning. He is wearing a wedding ring. He looks out the window
as the bus goes down Van Ness. He has seen it all before but it was many years
ago. Now he is here again. He is now on these streets again. He had been on the
road. He had gotten to much sun. He had yet to get acclimated to the sun. There is not much sun here. He was not
headed home. He was not running anywhere. He had two small creased brown paper bags with
him. The sign says no food or drink on Muni buses. He ignores it. I got off in
the Mission. I entered the Elixir. Dave had spent two days working out a new
scheme for shelving all the glasses by logos and size. I asked for a SacBrew. It was
four dollars. I paid him. There is no happy hour on weekends. I should have
used my coupon. I pull out my free beer coupon and look at it. It is only good
during happy hours. Oh well. I show Dave my latest drawing. “Dave”, I say, “I think I forgot to pay you for that last beer. He takes my
twenty and returns my change. “The next one is on me,” he says. “Remind me.”
This is one at once the hall-mark and the justification of
an aristocracy – that it is beyond responsibility to the general masses of men
and hence superior to both their degraded longings and their no less degraded
aversions. It is nothing if it is not autonomous, curious, venturesome,
courageous, and everything if it is – H L Mencken – The Vintage Mencken, 1990
p100
Along a straight line
Without
regard
Starting at an arbitrary point
Meridians
and baselines
Demarcating
six mile squares
Thirty-six sections; 360 acres each
Numbered
sequentially
The
building of schools, Lot 16
With an unbuilt post office on Lot 11
Staked out
as far
As the
Ohio-Indiana line
The map of places passes. / The reality of paper tears. /
Land and water where they are / Are only where they were – Laura Riding – The
Poems of, 1980 p87
What we still refer to as a personal destiny… is being
displaced by collective processes that can finally be expressed in statistical
terms – Robert Musil – The Man Without Qualities, 1956 p785
What follows ‘I said’ is a report; what follows ‘I was like’
is a performance – “Say is for telling; like is for showing.” – Geoffrey
Nunberg
Work is rationalized labor
A world whose past has become (by definition) obsolete, and
whose present churns out instant antiques, invests custodians, decoders and
collectors – Susan Sontag – Under the Sign of Saturn, 1980 p120
Science asks how? Religion asks why?
The mysterious is so simple when revealed by science – Edgar
Allan Poe
And thirty times a day
The big diesels turn generators
Driving
four locomotives southward
Two pushing and two pulling one hundred hoppers
Full of
Wyoming coal
And thirty times a day
The
television goes on the fritz
The pattern breaks up, the audio is
Intermittent
– oug bra puke pa
Then the screen goes blank and
A yellow
label come on proclaiming
That there
is “no signal”
But this is not true – the TV is announcing
That
electricity will be available
At least
through these winter months
And this is good to know
If the news is to be reported with speed and confidence,
today’s news should not be too different from yesterday’s, or what one knows
already – Robert Musil – The Man Without Qualities, 1956 p1085
A man’s left testicle hangs lower than his right – it is
always the left. This is the only naturally obvious left-right external
asymmetrical feature of the human being. In all vertebrates the heart and the
stomach are on the left, the liver and appendix on the right.
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